The Observatory

Yesterday, I traveled downtown twice to see the Olympic Flame for Vancouver 2010. I expect that I won’t see the flame again for another Canadian Olympics for another decade or two.

The first trip was around noon hour, when the Flame entered Ottawa from Gatineau over the Alexandra Bridge. As I was walking towards the bridge, I saw that there were organizers on the path up to Nepean Point, so I walked up there instead.

There were a number of other photographers there, some ameteurs like myself and some pro. I overheard one photog talking with another and the voice sounded so familiar. I turned to him and asked “Are you Steve Simon?”

“Why, yes, I am,” he said.

I had recognized his voice from the This Week In Photography (TWIP) podcast that I listen to every week. We talked briefly. He asked me what I was interested in, and I told him about my background and how I would like to start assisting local photographers.

He asked for a business card, but I don’t have one. I guess I should get a set of business card for just these sorts of occasions.

Once the flame arrived, I moved around to get some shots, but the pros had the best seats. My photos were not too bad, but I could have tried a few different things (flash) if I had more time.

In the evening, I went down to Parliament Hill for the official flame ceremonies. This was even harder to get a good shot, as I only had about 10 seconds as the running went by, and it was pitch black. I dialed up the ISO and set the highest aperture (f/2.8), but that was not enough so I also used flash. I had to use the flash, but the light hit all the high-reflectivity clothing on the police and the runner himself.

Aleah

Yesterday, some of my photos were used on the local CTV news.

Aleah Ostrowski, one of the ballet students at Les Petits Ballets, was named the CTV High School Athlete of the Week for Dec 10, 2009. Aleah’s mother had asked me to take some pictures that could be provided to CTV for the report.

Below is a picture I took yesterday. The International Space Station, with the docked Space Shuttle, north of Alymer. Here, the ISS travels into the Earth’s shadow. I found out about the perfect conditions after I left home, so I did not have a tripod. This was taken with the camera sitting on a camera bag, sitting on a big rock: 27-second bulb exposure, f/8, 17mm, ISO800.

I’ve been working on two of my photographic goals. Firstly, I have the name of a local photographer that may provide my first opportunity in the photo business. I’ll call tomorrow to see what might come up. I’ve been nervous about this, but, you know, grab the reins.

Secondly, I’ve been working on my list of example photos to try. This morning, I took the mandatory 3-hour studio orientation at the RA Photo Club. During the orientation, I was able to try both the high key and low key photos. I am mostly pleased with the results, but I also know that there is room for improvement – a reason to rent the studio and come back to experiment.

First, the low key photo. An improvement I would make is to have add a little hair light on the top left, as the shot is missing definition there. The low key shot starts with a black or dark background.  On the right side of the photo, two black panels were brought in and a soft-box was arranged to shine through a 2″ (5cm) gap between the two panels. This provided a narrow slit of light. The model was positioned in various ways with respect to the light. In this photo, the model is slightly behind the slit, so that her entire face is lit. If she was next to the slit, or in front of the slit, only part of her face would be visible. Moving the model closer to the light will mean a harsher light, and if she moves away from the light, the light will be softer and will provide more coverage (remember that the light from the slit will light a triangular area, as the soft-box is immediately behind the slit – to get a straighter slit of light, move the soft-box away from the gap in the panels). This light is useful to show shapes, as the light plays across the model. But it is also unforgiving, as blemishes or other marks become emphasized by the glancing light.

Low key photo of Rachel

Second is the high key photo. An improvement I would make here is to recompose the shot in the camera so that her shoulder is not touching the side of the frame. This high key photo starts with the white background of course. There were three lights, all in soft-boxes. A main light was on the right of the photo, above the level of the model. The second soft-box, providing some fill, was on the left, also above the model. The third light was in the background and was pointed to cover the background. A hair light is not really needed here, as it would soften the boundary between the background at the hair line of the model. A high key setup is flattering, and masks blemishes and wrinkles in the skin.

High key photo of Rachel

Nothing good happens to a person unless they do something to make it happen. Waiting for good luck to happen is bound to cause a profound sense of disappointment.

I’ve been thinking about this a lot in the last few weeks. It started when I was not able to go racing at Mosport. The tow vehicle broke down, leaving me without a car to race. I was already at the track when I found out. I could have stayed at the track, and possibly found another ride, but it was not very likely. Instead I drove all the way back (about 4 hours). It was a waste of my vacation day and an awful lot of gas.

Rosa asked me about the decision to drive back instead of staying at the track. Her point was that if I truly wanted something, I have to actively make it happen. If I want to race, I have to keep pushing, and not give up so easily when things don’t go to plan.

Same with photography. I know what I want, but unless I do something, and take that first step even when it is scary, nothing good will happen.

This evening I went to the RA Photo Club open house. I really wanted to see the studio, but once there I was very intimidated by the models and all the equipment and the dozens of people standing around watching. It was thinking about what Rosa said that I pushed my way to the front of the line, put the flash transmitter on the camera and started my first session with a professional model. It’s the first step.

Adriana the model

Yesterday I participated in an exciting (and scary for an amateur like myself) photographic session at work. It was the final site-wide BBQ. The Nortel Photography Club was approached to get some pictures of the event, culminating in a group photo of all the remaining employees. After this, most will be going to different companies, although many are still being laid off (100 received notice yesterday).

I was assigned to take the official group photo. I was given access to the roof of the Service building (about 2-3 stories tall), under a number of work-place safety constraints (no closer than 2 meters from the roof edge). The only direction I was given was to include the iconic Tower of Lab 5.

I was very nervous. I really wanted to get a good shot. And this was the first time working with a large group. I did not want to hold the group there very long, so I thought through what I should do. First, I wanted to try with my 420EX flash with brand new batteries, cranked up to +2EV to push out the most amount of photons as a fill flash. I’m not sure how effective it was in the sunlight from 2 stories away, but I figured I only wanted to highlight all the faces, which are highly reflective anyways. Then, because I knew the flash would take time to recycle, I took other pictures knowing that the flash would not be ready, so they would be available light only. I tried wide and tall images.

The final one was to get everyone to cheer or raised their hands or shout or something. I wanted enthusiasm. I was not sure how I would accomplish that considering that the mood was still very sour because of the layoffs over the last decade. It’s been hard on people. And I didn’t know who in the crowd may have had layoff notices or were part of the company that has not been sold yet.

Then it hit me. A number of people had beers or other drinks from the cash bar. So when the time came for the final shot, I asked everyone with a beer or drink to raised their drinks. And that was the best shot. The group showed remarkable restraint that only one person flipped the bird when the shutter clicked.

Group photo at Nortel

The photo I took will be sent out in the ‘thank you’ email to all Ottawa employees this morning.

This evening I attended a presentation of the documentary “Karsh Is History” at the Library and Archives building on Wellington. BTW, I hate that title, as it seems rather inappropriate for a deceased person. It was about an hour long.

Which worked out well for me, as I wanted to go outside to get a picture of the International Space Station fly-over, which occurred tonight between 8:31 and 8:36pm. I wanted to have an arc of the ISS light over a long exposure of the sky (i.e. like star trails). I learned the following valuable lessons.

1. Choose a location ahead of time. I had to find a good location that was less than 16 minutes from the Archives building. I thought either the Alexandra Bridge near the National Gallery or perhaps somewhere along the Ottawa River Parkway. I choose to find a spot along the river. There really is only one spot with a parking lot (near Tunney’s Pasture), and it was open. But it was also not lit. It was very dark, and a little scary as there were other cars parked there and I could not see the owners in the dark. I ran out to the waterline with my camera and tripod, but the view of the sky was not very good. I found a cornfield in Barrhaven that would have a good view of the sky for the ISS flyover when I try this experiment again. The cornfield is naturally also dark.
2. Be prepared. I didn’t have a flash light, so I was using my cell phone to provide some light in order to see what I was doing with the camera. I also think a true wide-angle lens would be better. My EF-S 17-55mm f/2.8 IS is equivalent to 27mm which is not wide enough.
3. The weather is critical to capture the sky at night. It was slightly cloudy, especially to the southwest, which was where the ISS flyover would start. The forecast is cloudy or partly cloudy until next Thursday.
4. Know your camera. It is very difficult to attempt to figure out how to set a bulb exposure by reading camera buttons with the light from a 12-year old cell phone. I should have known how to do that before I got out of my car to take the picture. It is buried under the Tv (shutter priority) button. I basically know all of the camera controls in daylight, but cannot do the same in the dark.
5. Always have a second battery with you. The camera was almost out of battery power. My second battery was in the car, and not in my pocket where it would have been useful for me.

In the end, I did not get a good shot of the ISS. All I have is a white streak on a nearly black background with little context (the outline of a treetop). The ISS is bright to the human eye, but to the camera, it is moving too fast for the camera to get much exposure against the light glow from downtown.

Faint light trail of the ISS over Ottawa

But on my way back to my car, I saw this scene that I had to capture. I think it looks great. Very moody.

Evening

Since I set goals for myself, I have already progressed towards some of the items on the list. I have joined the RA Photo Club. I have gone to a meet-n-greet (about the World Press Photoawards) with some other photo students and some professional photographers.

I had planned to have this list ready as well, but with an important milestone at work (design test complete) and a visit from my mother, I was not able to post this until now. This is a (possibly incomplete) list of all the types of photos I would like to create for my portfolio. From the list, I can select each one, obtain/rent any required equipment, set times, book any locations if necessary and start learning how to take each photo. This list is in no particular order.

As each of these are done, I will post how they were created.

Walking through Chapters the other day, a book caught my eye with the title “10-10-10“. It was about setting goals for the next 10 minutes, 10 months and 10 years. I thought it was an interesting concept, and I started thinking about how I might apply the same thinking to my own goals.

Instead of using the scale proposed by Suzy Welsh, I decided to use 10 days, 10 weeks and 10 months as my scale.

10 Days

Short-term, immediate goals.

• In the next 10 days, I will create a ’shopping list’ of photos I want to take. This can include something I have not done before (see next point), or to copy an existing photo from another photographer. From this list, I will make plans to do the shoot, rent equipment or a studio if needed.
• I have already missed my second target I had set for myself this week. I wanted to take some star photos during the Perseids meteor show. However, Wednesday night I got caught up in 3 different work issues after 10pm. By the time all three issues were resolved, I was went to bed exhausted.

10 Weeks

In this interval (out to Oct 23rd), start some longer term projects.

• Join the RA Center Photoclub. I have been a member of the Nortel Photo club for a few years, but with the break up of Nortel, very few members remain. I need to find another outlet, which the RA Photo club will fill. The RA Center Photoclub has 300 members, and have special groups on topics that interest me (portrait, street).
• Start a portfolio. I have an on-line portfolio, but I’m not totally satisfied with all of the pictures. Very close attention finds minor flaws, such as the focus being off by an inch. I have heard advice that a printed portfolio is more important to potential clients. I will need to learn more about inkjet printing. I have a good photo printer (Canon PIXMA iP4300) that supports 8×10. I should be planning my ’shopping list’ such that I can fill out my portfolio.
• Contact a professional and pimp myself out. This will be the hardest to do, to overcome my own shyness. I will contact local photographers and ask if they need a part-time assistant. This will be the start of a side income for supporting my hobby. I have a lead from a co-worker, and I’ve been collecting some business cards. I would only be available on evenings and weekends.

10 months

• Complete my portfolio. It must have enough materials available so that it can be tailored to my different needs.
• Set up a business, such that I can put my equipment under professional insurance, etc. I’ve already had the camera stolen once (St. Petersburg, Russia), which was covered by my home owners insurance. I don’t want to have to make any more claims against my home insurance, as that might cause them to drop me as a client (I’ve heard of this happening to others). Plus, if I am doing any professional work, my equipment would not be covered by home insurance anyways. It might provide some protection (law suits) and tax benefits. I’ve been thinking about this for a long time; the hardest part so far is thinking of a good name.

I went to the Canada Science and Technology Museum to see one of the moon rocks from Apollo 17, which is now on display. What I did not anticipate was the Festival Karsh exhibition that had just opened at the museum. Yousuf Karsh opened his photography studio in Ottawa in the 1930’s.

This was a very inspirational exhibit of the artist, his works, and how he created his famous portraits. They had some of his cameras, some of his studio equipment, booking calenders, letters to and from the artist, diary notes from the studio and many examples of his work.

Prime Minister Benazir Bhutto by Karsh

One portrait that caught my eye in particular was his photo of then Prime Minister Benazir Bhutto of Pakistan (sample on the right). The lighting, the pose, the focus are all so perfect. Interestingly, there were both B/W as well as colour versions of this portrait. I was able to spend a long time look at many of his works in the exhibit, figuring out what lighting he used, what was the point of focus (always the eyes), how the shot was created. It was a real inspiration.

I immediately wanted to start imitating his style. The second half of this year, I shall work harder to improve my own abilities with the camera. I feel I have learned how to use the tools (my Canon 40D), and now I should work on the art of photography.

Other samples of his work, as part of the Festival Karsh events, can be found on at http://www.flickr.com/photos/festivalkarsh/.