The Observatory

It’s all over and I’m in the 4-hour traffic jam leaving the causeway for Cocoa Beach. I’m overwhelmed and even a little melancholy – it all happened so fast did I miss anything?

I woke up at 5:00am. I was nervous about the traffic, so to be cautious, I left 90 minutes before the pick-up time in Titusville. I arrived with time to spare, so I went to a McDonald’s for pancakes. It wasn’t much, but it was all I could take. I was nervous and excited. I stopped and talked with some people who were working a 2-hour shift to keep people off private property with a view of the NASA facility. Miles of the roads through Titusville were lined with tape, parking areas and vendors setting up for the launch day. The radio was reporting they expected 300,000 people to view the launch – double the normal number.

I arrived at the pick-up point early, but there was already a very long line. It moved quickly and in 20 minutes I was on-board the bus.

Traffic to Kennedy Space Center (KSC) was slow. We were dropped off at 8:30am at the Visitors Center and had to be back in another line by 9:30 to board the same bus that would take us to the causeway viewing area. This strange drop-off and pick-up seemed to be so that the KSC Visitors Center security could check everyone before we were bussed to the causeway.

We arrived at the causeway around 11:30 – about 3 hours before launch. I got off the bus and all but ran to the rope to set up my chair. I was getting hungry so I chanced it that no one wold take my chair and ran to buy a hamburger, banana and a drink. I got my food before the 100+ foot line formed behind me.

The next 2.5 hours were spent baking in the Florida sunshine, testing out the lenses I rented from Lens Rentals Canada. When the count picked up at T-5 minutes, the crowd behind me stood up and everyone got very quiet. There were possibly as many as 17,000 people on the causeway and no one was talking.

At T-2 minutes, my heart was pounding – I was so excited.

T-1 minute – Oh My God, this is it.

T-11 seconds and I start the camera, trying to take some good photos without filling the buffer of the camera too soon. The buffer is only 14 full-size RAW photos, and I am shooting full-out at 8-frames per second. I wanted the better quality of the RAW, and the trade off was the small buffer.

Space Shuttle Main Engine Start. T-4 seconds

T-5 seconds and I can see the SSME – main engines starting. The view through the Canon 100-400mm L IS lens is amazing.

T-1, T-0 seconds and the shuttle disappears in the steam cloud from the sound suppression system. I paused shooting for a second to allow the buffer to clear while the shuttle was obscured.

When the vehicle climbed above the cloud, I held down the shutter button again for the most picturesque moments.

I was so engrossed in everything, I could not hear the NASA PA announcing the “Tower Clear” and “Roll Program” or the “Throttle Up” calls. I do remember hearing “Negative Return” – the point where the shuttle can no longer glide back to Kennedy for landing due to the height and velocity attained.

Space Shuttle clearing the tower. T+7 seconds

I was alternating between watching over the camera (watching and experiencing the event) and looking through the eye piece to take pictures. Once the shuttle was far enough away, it made more sense to focus on using the camera with the zoom lens as I could not see as much without binoculars.

It took a number of seconds for the sound to arrive from the launch. It started low, and not so loud. I guess that is because of the sound suppression system and because the thrust was focused at the ground. As the shuttle rose, the sound grew very loud with that crackling and popping noise you hear in good videos, but much stronger. The deep rumble of 7.4 million pounds of thrust lifting a 4.47 million pound (2000 ton) vehicle pounds the air – the forces at work are immense. The flames are so bright, even in the direct Florida sun – much brighter than I expected.

Solid Rocket Booster Separation. T+2 minutes 16 seconds

At T+2 minutes, I knew the Solid Rocket Booster (SRB) separation was moments away. I focused again (the lens was hunting a little for focus at this range), and was terrified I would miss it. Take some pictures, look up, take some pictures, look up. I could see the SRB separation with my own eyes, even though they were already at 150,000ft/46km. I could see them flame out and tumble through space; the vehicle was already above the standard definition for the edge of space. After that it was harder to focus the camera as the SSMEs do not produce smoke – only water vapour. All that was visible was the very bright dot of the vehicle accelerating away down-range.

After SRB separation, I was very disappointed that almost everyone around me started to pack up. It was only 2.5 minutes into an 8 minute climb to orbit, and I could still clearly see the bright light from the shuttle as it moved down-range. I could still see the light as the NASA PA announced Atlantis was already 290 km away. When else could one see a vehicle that is 290 km away and over 300,000 feet in altitude? Amazing!

I stayed in place trying to listen for the MECO (main engine cut-off) call, but the noise of everyone folding their chairs meant that I missed that important announcement – that the Atlantis climb was complete. I did hear the External Tank separation call right after MECO. At that point, they make only a minor adjustment to place Atlantis in orbit.

Today was so amazing, and overwhelming. And fleeting. All this preparation work to travel to see about 4 minutes of the climb to orbit.

There is no truly complete way to capture such a moment. Today is something I will treasure always.

The plume from the launch. T+6m17s

Photo Stream – Shoes

Shoes

Photo Stream

#19

Today I took a walk in the woods. It was so peaceful and calming. Work has been going so very badly with a huge stress load. So this was a much needed stress relief.

I went to the NCC green space on Slack Road. This is a mostly evergreen forest, so there is little underbrush, and the paths are carpetted with the needles that deaden the sound of foot steps. It was so quiet. There were only a few people around, less than 10 in the 90 minutes I was in the forest.

In one area is swampy, and the frogs were surprisingly noisy. At first, I thought it was a flock of birds, as I have not heard frog calls that sound like that. It must be a different species of frog than I am used to hearing.

The sun was shining down through the trees in great shafts of light. I stopped at one spot, set down my camera bag and played around taking self portraits with the timer on the camera. A good self-portrait is one of my photography goals.

Here are two other photos that I took that I felt looked interesting.

One in Every Crowd

Zen Bench

The first tulips are pushing their way up through the damp ground. Spring is coming.

Yesterday, I traveled downtown twice to see the Olympic Flame for Vancouver 2010. I expect that I won’t see the flame again for another Canadian Olympics for another decade or two.

The first trip was around noon hour, when the Flame entered Ottawa from Gatineau over the Alexandra Bridge. As I was walking towards the bridge, I saw that there were organizers on the path up to Nepean Point, so I walked up there instead.

There were a number of other photographers there, some ameteurs like myself and some pro. I overheard one photog talking with another and the voice sounded so familiar. I turned to him and asked “Are you Steve Simon?”

“Why, yes, I am,” he said.

I had recognized his voice from the This Week In Photography (TWIP) podcast that I listen to every week. We talked briefly. He asked me what I was interested in, and I told him about my background and how I would like to start assisting local photographers.

He asked for a business card, but I don’t have one. I guess I should get a set of business card for just these sorts of occasions.

Once the flame arrived, I moved around to get some shots, but the pros had the best seats. My photos were not too bad, but I could have tried a few different things (flash) if I had more time.

In the evening, I went down to Parliament Hill for the official flame ceremonies. This was even harder to get a good shot, as I only had about 10 seconds as the running went by, and it was pitch black. I dialed up the ISO and set the highest aperture (f/2.8), but that was not enough so I also used flash. I had to use the flash, but the light hit all the high-reflectivity clothing on the police and the runner himself.

Aleah

Yesterday, some of my photos were used on the local CTV news.

Aleah Ostrowski, one of the ballet students at Les Petits Ballets, was named the CTV High School Athlete of the Week for Dec 10, 2009. Aleah’s mother had asked me to take some pictures that could be provided to CTV for the report.

Below is a picture I took yesterday. The International Space Station, with the docked Space Shuttle, north of Alymer. Here, the ISS travels into the Earth’s shadow. I found out about the perfect conditions after I left home, so I did not have a tripod. This was taken with the camera sitting on a camera bag, sitting on a big rock: 27-second bulb exposure, f/8, 17mm, ISO800.

I’ve been working on two of my photographic goals. Firstly, I have the name of a local photographer that may provide my first opportunity in the photo business. I’ll call tomorrow to see what might come up. I’ve been nervous about this, but, you know, grab the reins.

Secondly, I’ve been working on my list of example photos to try. This morning, I took the mandatory 3-hour studio orientation at the RA Photo Club. During the orientation, I was able to try both the high key and low key photos. I am mostly pleased with the results, but I also know that there is room for improvement – a reason to rent the studio and come back to experiment.

First, the low key photo. An improvement I would make is to have add a little hair light on the top left, as the shot is missing definition there. The low key shot starts with a black or dark background.  On the right side of the photo, two black panels were brought in and a soft-box was arranged to shine through a 2″ (5cm) gap between the two panels. This provided a narrow slit of light. The model was positioned in various ways with respect to the light. In this photo, the model is slightly behind the slit, so that her entire face is lit. If she was next to the slit, or in front of the slit, only part of her face would be visible. Moving the model closer to the light will mean a harsher light, and if she moves away from the light, the light will be softer and will provide more coverage (remember that the light from the slit will light a triangular area, as the soft-box is immediately behind the slit – to get a straighter slit of light, move the soft-box away from the gap in the panels). This light is useful to show shapes, as the light plays across the model. But it is also unforgiving, as blemishes or other marks become emphasized by the glancing light.

Low key photo of Rachel

Second is the high key photo. An improvement I would make here is to recompose the shot in the camera so that her shoulder is not touching the side of the frame. This high key photo starts with the white background of course. There were three lights, all in soft-boxes. A main light was on the right of the photo, above the level of the model. The second soft-box, providing some fill, was on the left, also above the model. The third light was in the background and was pointed to cover the background. A hair light is not really needed here, as it would soften the boundary between the background at the hair line of the model. A high key setup is flattering, and masks blemishes and wrinkles in the skin.

High key photo of Rachel

Nothing good happens to a person unless they do something to make it happen. Waiting for good luck to happen is bound to cause a profound sense of disappointment.

I’ve been thinking about this a lot in the last few weeks. It started when I was not able to go racing at Mosport. The tow vehicle broke down, leaving me without a car to race. I was already at the track when I found out. I could have stayed at the track, and possibly found another ride, but it was not very likely. Instead I drove all the way back (about 4 hours). It was a waste of my vacation day and an awful lot of gas.

Rosa asked me about the decision to drive back instead of staying at the track. Her point was that if I truly wanted something, I have to actively make it happen. If I want to race, I have to keep pushing, and not give up so easily when things don’t go to plan.

Same with photography. I know what I want, but unless I do something, and take that first step even when it is scary, nothing good will happen.

This evening I went to the RA Photo Club open house. I really wanted to see the studio, but once there I was very intimidated by the models and all the equipment and the dozens of people standing around watching. It was thinking about what Rosa said that I pushed my way to the front of the line, put the flash transmitter on the camera and started my first session with a professional model. It’s the first step.

Adriana the model